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Extra info for One Day, Samuel Beckett
Another ambiguity in the text is the “godforsaken hole” (NI 376, 381, 382) which can be interpreted in a few different ways. In addition to possibly being a mouth, the “god forsaken hole” could also be Croker’s Acres, referring to a sense of stuckness and the apparent impossibility of a happy and prosperous future in this remote corner of the world due to, among other things, economic drawbacks. Moreover, the “god forsaken hole” could be a vagina as the woman “pres[es] out her words with difficulty, in spurts or spasms; one can compare the production of the words to the childbirth the words speak of” (Astro 179).
Also, the uncertainty of the time and place in the play marks the universality of the setting, positing the universality of the absurdity of the human condition. A spotlight lights up a disembodied Mouth with a female voice. ”3 It is common to come across fragmented identities and/ or bodies especially in Beckett’s later work; however, the reduction of a human being to a mouth is a most extreme example of fragmentation indeed. The woman whose story Mouth recounts only occasionally refers to her body, and then only as a “machine” (NI 378, 380) which seems to be disconnected from her brain and soul.
David Lodge opposes this view and claims again in his famous essay “Some Ping Understood” that “the language of Ping is not void”; “… the piece has got syntax; it is rudimentary, but it does control the possible range of meaning” (87). Lodge was among those who saw “Ping” “as the rendering of a certain kinds of experience and having a perceptible design” thus to him in “Ping” “Words do not merely demonstrate their emptiness. It is, like any literary artefact, a marriage of form and meaning” (89).