By Gerry Canavan
Contemporary visions of the long run were formed via hopes and fears concerning the results of human know-how and worldwide capitalism at the wildlife. In an period of weather swap, mass extinction, and oil scarcity, such visions became more and more catastrophic, even apocalyptic. Exploring the shut dating among technology fiction, ecology, and environmentalism, the essays in Green Planets examine how technological know-how fiction writers were operating via this main issue. starting with H. G. Wells and passing via significant twentieth-century writers like Ursula okay. Le Guin, Stanislaw Lem, and Thomas Disch to modern authors like Margaret Atwood, China Miéville, and Paolo Bacigalupi—as good as fresh blockbuster motion pictures like Avatar and District 9—the essays in Green Planets consider the $64000 position for technology fiction in a tradition that now turns out to have a truly doubtful destiny. The booklet contains a longer interview with Kim Stanley Robinson and an annotated checklist for additional exploration of “ecological SF” and similar works of fiction, nonfiction, motion pictures, tv, comics, children’s cartoons, anime, games, song, and extra.
Contributors contain Christina Alt, Brent Bellamy, Sabine Höhler, Adeline Johns-Putra, Melody Jue, Rob Latham, Andrew Milner, Timothy Morton, Eric C. Otto, Michael web page, Christopher Palmer, Gib Prettyman, Elzette Steenkamp, Imre Szeman.
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Extra resources for Green Planets: Ecology and Science Fiction
42 Whatever the outcome, the Earthling party consistently appears pestilent and pernicious to Barnstaple. Whereas in The War of the Worlds the narrator’s experience of being treated as an expendable or exploitable creature causes him to accord new value to other animals, in Men Like Gods Barnstaple’s comparison of human beings to despised animals leads him to suggest that human beings too warrant Notes 1. H. G. Wells, The War of the Worlds (Cherrybrook, NSW: Horizon, 2009), 169–70. 2. , 62. 3.
37. view=2449. 38. html. 39. James Joyce, Ulysses (New York: Vintage, 1990), 34. 40. WALL-E, directed by Andrew Stanton (2008; Burbank, CA: Disney-Pixar, 2008), DVD. 41. Carl Freedman, “Marxism, Cinema, and Some Dialectics of Science Fiction and Film Noir,” in Red Planets: Marxism and Science Fiction, ed. Mark Bould and China Miéville (Middletown, CT: Wesleyan University Press, 2009), 66–82 (72). 42. uk/books/2009/nov/10/kim-stanley-robinson-science -fiction-realist. I f Th i s G o e s O n | Canavan 26.
This version of the opening narration opened several episodes in the middle part of the first and only season. I ntro du c t i o n 12. Systems theory’s reliance on feedback as a structuring principle links it closely with later developments in ecology. 13. Kenneth E. Boulding, “The Economics of the Coming Spaceship Earth,” repr. in The Environmental Debate: A Documentary History, with Timeline, Glossary, and Appendices, ed. Peninah Neimark and Peter Rhoades Mott (Amenia, NY: Grey House, 2010), 209.