By Ryan Dobran, Josh Stanley, Thomas Roebuck, Matthew Sperling, Robin Purves, Reitha Pattison, Keston Sutherland, Michael Stone-Richards, Justin Katko, John Wilkinson, Nicola Masciandaro
Quantity 2 of the magazine Glossator: perform and concept of the observation. at the Poems of J.H. Prynne. Edited via Ryan Dobran. Contents: RYAN DOBRAN, advent JOSH STANLEY, again On Into the way in which domestic: "Charm opposed to Too Many Apples" [The White Stones, 1969]; THOMAS ROEBUCK & MATTHEW SPERLING, "The Glacial query, Unsolved": A Specimen observation on strains 1-31 [The White Stones, 1969] ROBIN PURVES, A statement on J.H. Prynne's "Thoughts at the Esterházy courtroom Uniform" [The White Stones, 1969] REITHA PATTISON, J.H. Prynne's "The Corn Burned through Syrius" [The White Stones, 1969] KESTON SUTHERLAND, Hilarious absolute dawn [Brass, 1971] MICHAEL STONE-RICHARDS, The time of the topic within the neurological box (I): A statement on J.H. Prynne's "Again within the Black Cloud" [Wound reaction, 1974] JUSTIN KATKO, Relativistic Phytosophy: in the direction of a observation on "The Plant Time Manifold Transcripts" [Wound reaction, 1974] JOHN WILKINSON, Heigh Ho: A Partial Gloss of observe Order [Word Order, 1989] Glossator publishes unique commentaries, variants and translations of commentaries, and essays and articles in relation to the speculation and background of observation, glossing, and marginalia. The magazine goals to motivate the perform of observation as an inventive kind of highbrow paintings and to supply a discussion board for discussion and mirrored image at the previous, current, and way forward for this historic style of writing. by means of aligning itself, now not with any specific self-discipline, yet with a specific mode of creation, Glossator provides expression to the truth that praxis founds thought. GLOSSATOR.ORG
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Extra info for Glossator: Practice and Theory of the Commentary: On the Poems of J.H. Prynne
2 Although Landon's verse was 1. See Stuart Curran, "Romantic Poetry: The Altered I," in Romanticism and Feminism, ed. Anne K. ," Victorian Poetry 30 (spring 1992): 117; and Angela Leighton, Victorian Women Poets: Writing Against the Heart (Charlottesville: University Press of Virginia, 1992). 2. , New York: Books for Libraries, 1972), 188. Regarding the popularity of Hemans' poetry, see Donald H. , New York: Garland, 1978), v. Page 19 less favorably evaluated during the 1840s than it had been when first published, her poetry still had popular appeal.
Although Hemans is rarely read today, her work had a wide audience throughout the nineteenth century in both Britain and America. "2 Although Landon's verse was 1. See Stuart Curran, "Romantic Poetry: The Altered I," in Romanticism and Feminism, ed. Anne K. ," Victorian Poetry 30 (spring 1992): 117; and Angela Leighton, Victorian Women Poets: Writing Against the Heart (Charlottesville: University Press of Virginia, 1992). 2. , New York: Books for Libraries, 1972), 188. Regarding the popularity of Hemans' poetry, see Donald H.
Although occasional mention is made of the religious nature of the poem, none of this early commentary focuses on sacred love as the poem's theme. Lucas, moreover, by concluding that Rossetti was "born to have been one of the great lovers of history," implies that erotic love is the poem's main subject. "15 All these readings show to some extent the influence of the psychoanalytic school of Rossetti criticism, and all read the ''I" of the poem as Rossetti herself. The most recent criticism on the poem shows primarily the influence of feminist theory.