Download English Costume from the Seventeenth Through the Nineteenth by Iris Brooke PDF

By Iris Brooke

Notable reference spans three hundred years of favor background — from the extravagant costumes of the Stuart interval to such recommendations as biking knickerbockers for past due nineteenth century girls. Over four hundred illustrations (including 28 plates in complete colour) offer vital info of hair kinds, beards, hats, and cravats.

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It breaks out into the world beyond. But notice that with all of this moving around. the invisible lines of force are ever-present. We are aware of gravity as we move up and down and across the page. At the same time, we are very aware of the center as our eyes go back and forth across it; we are aware of the jagged lines dividing th e page down the center The center can be used as the hub of the picture. where more rntense action takes place. as an empty area of calm or incompleteness. as a divider of left from right.

This again relates back to gravity, though. , But there are other forces acting at the same time. The rectangular frame of the picture forms a separate world inside itself. The center of this framed world is the focal point of our attentron; the edges enclose our attention and force it to the center. The frame creates a center/frame sort of visual conflict that can be thought of as a radial force, marnly radiating lines inward from the frame to the midpoint. To some extent, but to a much lesser degree, the center of the picture also radiates energy out of itself.

Now that the background is purple, how can I use white as a positive element? ) sa 39 The teeth. These whrte teeth aren't any scarier per se than black or red or purple teeth, quite the contrary. Black teeth dripping with red blood would have been rather effective here However. what has happened now that the teeth are white? They pop out at us more We notice them more than we did when they were black. I see how powerful whrte 1s here because it shows up so strongly against dark backgrounds. Whrte is effective when used with restraint.

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