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By Ashyia Henderson

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Gracias a La Vida (Here’s to Life), A&M, 1974. Live in Japan, Vanguard, 1975. Diamonds and Rust, A&M, 1975. The Lovesong Album, Vanguard, 1975. Gulf Winds, A&M, 1976. From Every Stage (live), A&M, 1976. Joan Baez in Concert (live)Vanguard, 1976. Blowin’ Away, Epic, 1977. House of the Rising Sun, Musidisc, 1978. The Joan Baez Country Music Album, Vanguard, 1979. The Night They Drove Old Dixie Down, Vanguard, 1979. Honest Lullaby, Portrait, 1979. Live in Concert: European Tour, Portrait, 1980. Live in Europe ’83: Children of the Eighties, Ariola, 1983.

Telgen, Diane, and Jim Kamp, Latinas: Women of Achievement, Visible Ink Press, 1996, pp. 25-30. Periodicals The New York Times, May 26, 2002, pp. 29, 34. html —Sheri Elaine Metzger Baca Zinn • 25 Maxine Baca Zinn 1942— Sociologist Sociologist Maxine Baca Zinn has been pivotal in incorporating the experiences of Hispanics into mainstream sociological thought. She has become a leading expert in the fields of family, gender, and ethnicity. Part of an elite group of female sociologists, Baca Zinn has changed the face of feminism by introducing the experiences of women of color to conventional perspectives on gender.

Although the new town was only about twenty miles north of Los Angeles, it was a new and completely different world for Baca. In Pacoima, Baca entered a school where the primary language was English. Baca’s earlier childhood had been in a Spanish-speaking household, and now she struggled in school. Ironically, it was the struggle with language that led to Baca’s interest in art. Because of the language problems, Baca’s teacher permitted the young girl to sit at a corner desk and paint, while the other students continued with their studies.

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