By Carla Kaplan
Big apple urban within the Jazz Age was once host to a pulsating inventive and social revolution. Uptown, an exceptional explosion in black tune, literature, dance, and paintings sparked the Harlem Renaissance. whereas the heritage of this African-American awakening has been commonly explored, one bankruptcy is still untold: the tale of a bunch of ladies jointly dubbed "Miss Anne."
Sexualized and sensationalized within the mainstream press--portrayed as immense or insane--Miss Anne was once occasionally derided inside of her selected group of Harlem to boot. whereas it used to be socially applicable for white males to move uptown for "exotic" dancers and "hot" jazz, white ladies who have been enthralled by means of lifestyles on West one hundred and twenty fifth road took probabilities. pass over Anne in Harlem introduces those women--many from New York's wealthiest social echelons--who grew to become buyers of, and romantic contributors in, the Harlem Renaissance. They comprise Barnard collage founder Annie Nathan Meyer, Texas heiress Josephine Cogdell Schuyler, British activist Nancy Cunard, philanthropist Charlotte Osgood Mason, educator Lillian E. wooden, and novelist Fannie Hurst--all ladies of feat and renown of their day. but their contributions as hostesses, editors, activists, consumers, writers, buddies, and fanatics frequently went unacknowledged and feature been misplaced to historical past till now.
In a colourful combination of social historical past and biography, award-winning author Carla Kaplan deals a joint portrait of six iconoclastic ladies who risked ostracism to persist with their inclinations--and raised hot-button problems with race, gender, type, and sexuality within the cut price. Returning omit Anne to her rightful position within the interracial background of the Harlem Renaissance, Kaplan's ambitious paintings remaps the panorama of the Twenties, alters our belief of this old second, and brings omit Anne to brilliant existence.